from the depths of the dark net come telkhin, the latest addition to the shipwrec roster. following earth being recycled on detroit underground, the argentine project are debuting on vinyl with five tracks of off-world electronics. the chilling atmospherics of -body container- meet the needle before an electro iciness takes hold. spiking snares and echoed radiowaves orbit the moody walk in, that same frosted futurism central to level above human. telkhin melts man and machine, giving the computer age a humanoid form. processors whirr in the bassy bleeps and residues of brithomber before the final statement. leaving the human world behind flight 19 is a fast and future funk driven piece of 2050 music. forget the past, embrace the next step. limited run of 150 coloured copies.

our parisian edit friend reverend p hits us with a 4 track ep loaded with some serious boogie and disco heat. concentrating on the sounds of gladys knight (a side) and george duke (b side), reverend p decided to edit em not once but twice...ouble action = double fun :) the a-side tracks are two uptempo numbers with gladys while the flip comes with one mid tempo boogie tune and a high energy disco cut from mr duke. solid gamm material for anyone down with the more soulful sounds of disco!

mute records presents the 1994 longplayer from erasure as limited edition reissue on 180 gram vinyl.

* hardware fanatic and south london analogue material / mord artist ansome brings us his debut album for perc trax !
* features full printed, shrinkwrapped jacket designed by resident perc designer jonny costello
* very limited first run on white vinyl

three cuts of heady, cerebral bliss guaranteed to push any dancefloor a little further out into the interstellar, in russell s hands, clay wilson s e4 becomes a spaced-out stepper s delight. his rework of romans coptos lets the acidic undertones of the original run free while snappy percussion holds focus. and while were not one to pick favorites, russells remix of zemi17s rangda, stripped to its bare essentials, is almost a purer representation of the original than the original itself, designed to lift a willing crowd into a trance state

limited edition 12 inch hybrid disk (one sided picture disk)
the third edition of figure’s recently launched run of limited edition hybrid discs sees the label head helping a 90’ies classic to new glory. when originally released in 1995, ian pooley’s celtic cross destroyed clubs everywhere with its iconic vocal sample and hypnotic bass bleeps. len faki’s remix treatment is a sublte one, which manages to leave most of the original’s elements in tact while still expanding upon its fiercely banging character

fumiya tanaka has been regarded as one of the legendary dj/artists in techno over 20 years. he has been doing numerous projects such as his private label torema records, op.disc (co-running with yoshihiro hanno aka radiq), he run his own label called sundance and his famous party chaos (in tokyo and osaka). and through his long running career, he has been successfully expressing the possibilities of music. the long awaited full length album by fumiya tanaka.

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. for maeve’s eighth outing it has enlisted the talents of long time friend ed davenport. the record grew from a chance hearing of some new material at eds studio one night and after a brief discussion it was decided that the tracks would find a fitting home at maeve. although recently more known for his harder techno releases under the moniker inland, silver walks is some what a return to eds roots. slower, emotive, more contemplative tracks, recorded over a pretty short period of focused studio time. silver walks is a synth-led jam. the arpeggiator holds pride of place as the centre of the tune with filter tweaks complementing its progression. kuromaku has a tougher attitude - heady and cosmic with a deep kick. it means black curtain in japanese.

three cosmic acid trips that run into eternity.

this ep starts with “stitched-, which begins by a rough & anxious introduction with a drone bass and a dissonance pad. then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. college road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). the last track bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove.

first release on new malmö based vinyl label kess kill, run by rivet. kess kill was started with the will to continue the legacy 1979-1983by bands like liasons dangereuses, tommi stumpff, xao seffcheque, geile tiere and others, music that oozed techno, long before techno was a concept. some of the music on kess kill will be brand new, some will be 30 years old, but it will all be unified by the naive frustration and punky rawness that has long been absent

continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

brought to you by the berlin-based power duo known as dewalta & shannon, this one’s coming at you in three parts: a very special puzzle we’re excited to be putting together. continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

ltd 2016 repress.. session victim can do no wrong in our eyes. not only do they run an absolutely brilliant vinyl-only label known as retreatwith the help of fellow berliner quarion. not only do they play an amazing live set which has seen recent fans at londons corsica studios get so worked up they started crowd-surfing. not only were they responsible for last years underground hit good intentions which is so good it had move d in tears as he closed a festival set with it last summer. on top of all this they are the nicest and most focused couple of chaps you ever did meet. in short, we are very proud and happy to be pres their debut lp the haunted house of house on our humble label

santigolds new album 99¢ as clear vinyl edition wit download code included.

this is the much sought-after album from 1978 reissued as lp vinyl for the first time. showcase was recorded with the revolutionaries and the aggrovators and mixed by ossie hibbert in a vocal & dub extended version style. the lp comes with the original artwork, 180 gram heavy weight, remastered, new vinyl cut and leaflet with extended linernotes. jimmy riley is a veteran reggae singer who started his career as harmony singer for the treasure isle label with producer arthur duke reid and joined also the rocksteady stars the uniques in replacing slim smith for a brief run of hits before deciding to go solo.

the album is a soundtrack of music inspired by the movie rubble kings and is out globally via mass appeal records. produced by longtime run the jewels collaborator little shalimar, the album features appearances from bun b, ghostface killah, killer mike, tunde adebimpe, mr muthaf*kin exquire, boldy james, cuz lightyear, ka and roxiny, in addition to run the jewels. scoring the film was the first time little shalimar set out to make period music. half of the music on this album was taken directly from the score and is heavily indebted to ‘60s and ‘70s soul and funk music. for the new tunes shalimar sampled joints from the score and created new beats out of them.
the grey marbled double lp version comes in a gatefold sleeve and includes an iron-on patch of the rubble kings plus a download code for the rubble kings album and documentary.

the 3rd ep from dirreta run by dj wada known as a legend in japanese techno scene. wada create his very own grooves with some groovy bass and freestyle jazz drum samples

transmitting from their mist-filled, strobe-lit lair, group niob join the ranks of pomelo with an ep of pure-bred, cavernous underground techno. founded by prolific cheap records alumni and long-standing pomelo contributor gerhard potuznik (aka g.d.luxxe, gdx, pin-ups in exile) and his hardware-obsessed partner martin sovinz (aka dibek), group niob follow up their previous releases on their jointly run phlox imprint with two tracks of techno perfection: ‘nue’ starts the ep in high tension mode – grumbling bass lines, endless echoes, and a punishing groove complement the track’s subarctic atmosphere. on the flip side, ‘target’ turns the heat up a notch with a warm, rolling bass, hypnotic chords and dubbed out stabs, dubbed out and acidified by pomelo’s own daniel lodig for his ep-closing remix

limited collectors edition of 300 copies only of this rare italian disco funk studio project from 1977 run by pino presti. today is very rare but the value of this reissue is that contains for the first time ever all the original versions plus the long version that never saw the light, because for some reason both 12 and the 7 inch original vinyl contains only the short cuts (called part 1 / part 2).

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

latest release on the new vinyl record label founded and run by long time birmingham based producer & dj - etym.
very limited 250 run on black vinyl in printed sleeve with hand stamped centre labels

limited available in a nice pack, mt026 / mt038 / mt039. feat. original tracks by dj 3000, dapayk solo, mr. o, t. linder and remixes by spiros kaloumenos, fer br.

church label head seb wildblood delivers six track ep u via his the sw catagolgue. limited run of cassettes and digital release.

parallax 03 - this upcoming release on parallax features two fresh cuts by yogg on the b-side, and the first taste from his new collaboration with another tel-aviv based producer -pharaoh. 460 is a 10 minute run of subtle deep atmospheres and flucuating dub sequences. for now shows yoggs more violent techno style with its accentuated offbeats & industrial leaning patterns. oo-oo brings this one to closure on a quite but powerful note, with a more lush texture and subtle serial sequencing.

oltrarno recordings is proud to announce *oz*, the debut ep from soutine! at the edge of decisions, oz opens with *dreams* leaving us free to choose our destination. coming back on earth the dreams become solid matter, as an awakening and a *run in the jungle*. the b side close back the circle, through a *spacehopper* the listeners will be pulled out again, *lost somewhere* and free of duties.

originally released in 2008 as a limited edition cd. *sniper beats* is now finally available on vinyl from kingunderground, with download code included. *sniper beats - underscores for drama & action* contains 13 instrumental tracks from mr parkers vast production collection. each track was originally selected by lewis and recorded raw out of the sp-1200 (with no external samplers involved). those same tracks have now been remastered for this limited and much anticipated vinyl release. this is a must have in any long time lewis parker fans collection and for any newcomers a record that shows his pedigree as one of the best sampling producers in the game right now. limited to 300 copies this will likely sell out fast so get your orders in now to avoid disappointment.

underlying form is a new vinyl only label run by northern irish dj/promoter darren allen. the first release, a debut for darren, sets the tone for the labels future with 4 tracks of deep and abstract minimal techno on the invisible landscape ep

only 500 copies , no repress
with a solid run of releases on labels such as subwax bcn, budare, and visionquest. moreon & baffa make their debut on jonny whites hotly tipped social experiment records with a heavy, 4 cut ep

at long last, coalmine records is pleased to release guilty simpson and small professor s highly acclaimed collaborative lp, highway robbery, in vinyl format. weighing in at 11 tracks, which includes the vinyl-only bonus track of zilla rocca s remix of go, the album places the listener in a seemingly post-apocalyptic detroit where the mentality is feast or famine.

newly established berlin-based vinyl-only label dreiklang dive straight into the physical world with first contact. the label’s distinctive triangular concept is reflected in its name with dreiklang pursuing a three-fold approach to electronic music. each release presents three contrasting takes on the same source material, juxtaposing and unifying three particular electronic music sub-currents. for their first outing, dreiklang call upon an international team of producers with och, hydergine and kelovolt dropping in for their respective shots of tech-house, dub techno, and dark drone techno. the tight three-tracker will see the light of day on a 500 limited edition run of 180gr high-quality wax with the beautiful hand-drawn designs of berlin artist nils altland gracing each sleeve, transforming the covers into individual works of arts.

a1. gunnar hemmerling: phoenix asteroids (w+p l & g hemmerling) growling drum and bass patterns meet sharp chords in outer space. a2. lars hemmerling: freebirds in a cage (w+p lars hemmerling) back on the industrial trail,drones and noises here in a detroit approach. b1. lars & gunnar hemmerling: twin peaks (w+p l & g hemmerling) the titletrack offers a arm sounding journey with a mellow/lost melody that fits perfect the next afterhour. mastered by cem oral cut by stefan betke. the label is run by lars fenin aka fenin who has released on such imprints like: echocord, shitkatapult, meteosound , etc. and lars & gunnar hemmerling ,the dubby-twins who are known for their variety music journeys as dj team and their releases on eintakt, fullpanda etc.

berlin-based palms trax continues adding to his run of quality efforts with the forthcoming release of his high point on low ground ep: impressive effort number two for the dekmantel imprint. serving up three retro-futuristic killers, donaldson parades his ability to touch on the many different corners of contemporary house music, whilst delivering heavyweight dancefloor standards. the title track blazes a beaten-up vocal snippet over stanked-out synths, stretched to a breaking point across a low-riding bass line. a stabbing moroder-esque bass line dominates cloud city , whilst paws equals pure and raw broken-beat bliss with a pinch of acid.

nemorous records is rooted in a techno tradition, albeit eager to grow in all different kind of directions, thus touching genres as diverse as industrial, experimental or even metal. the label is run by veteran dj (and newcoming producer) anja zaube and markus grotmann, who recently started to dj under the dim_light moniker. they both share a powerful vision of the label s overall sonic and visual aesthetic. nemorous records output will be on analog media (vinyl, tape) first and foremost, with digital availability maybe later. the main focus will be on new or lesser known artists in whom both strongly believe, on vinyl format complemented by remixes from more established artists. the first issue is by anja zaube, backed with a remix by jan grebenstein.

soul jazz records are releasing count ossie and the mystic revelation’s seminal 1975 album tales of mozambique in an expanded double album format (including download code), fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview.

• stunning jazz infected detroit house. essential.
• produced by kai alce

ruf dug’s debut album ‘island’ was released to much acclaim in 2015 on kenneth bager’s music for dreams imprint. it sold out its first promo run within weeks and scored top spots in many ‘best of year’ reviews. now for 2016, ruffy has picked some of his favourite artists to rework his tracks and this is the result. limited vinyl - dont sleep!

nyc s cosmic-disco-funk superheroes go head to head on this 12inch release. this is the first vinyl release from king mono (featuring little shalimar from run the jewels and jesse boykins iii) and the 3rd single from sunrise hwy (featuring amy douglas (juan maclean, kon, eli escobar etc)) after ten snake s true romance label released their first ep s last year.

technos brothers on the run, octave one, take time off from global touring to deliver what promises to be one of the biggest dance anthems of 2016.

a passion for techno has always run deeply through his music and under his trevino moniker he is also a powerful creative force (check his recent front album to get the full picture). here, he takes transmission breakdown on a magical excursion, filled with subtle, hypnotic, evolving energy, anchored with an irresistible pul- sating bassline throb - a perfectly synergetic interpretation to round off jona s sidetracking album prologue in style.

after a first lp supported by various artist as rone, rodriguez jr, ark, electric rescue, morpheus or laurent garnier, timid records is proud to announce arno gonzalezs second album: *the delivery boy*. more personal (no featuring this time) and more direct into producing process, arno tells us pieces of his own story: a come back from a gig in brest (back from vauban), a crazy sunday afternoon (domingo dance), a trip to japan (kimura), a train ride to charles de gaule airport (angers/cdg). he also recalls with a dose of sorrow the cycles effects of buzz and modes into music (less was more) , the old time techno (the break), noisy and synthetic funk (the message) or the crazy run of a delivery boy (the delivery boy) which will be soon clipped by the motion designer smoh. the most surprising thing after a first listening is the work on textures and vibes which give consistency to the all album sailing between electronica, inspired techno and house grooves. finally, camille rodriguez and damien *timid boy* almira give us 2 stylish and efficient remixes which will find, for sure, the path to best djs turntables. enjoy your meal!

brian close and justin tripp, following up asemic club, for this promising, young berlin label, ‘founded for hedonistisch, free-spirited music lovers. the short run releases shall be dedicated to the underground and casually combine selected tunes from all kinds of music. don’t ride your horse backwards to the future!’. 10 inch in hand assembled screen printed sleeve with sticker.

straight out of the ukraine comes io (mulen) aka aleksandr voznichenko, a man whose back catalogue includes releases on labels such as rejected, eklectisch and area remote to name but a few. now he links up with one of paris’ premier labels, run by one of paris’ premier crews – apollonia. with one solid track and a classy remix from danish young gun malin génie, this is another surefire winner from apollonia. ‘to the unknown’ kicks things off with a steady build up. shrouded in a hazy mist it draws you to its understated groove, io turns in a very considered production that evolves at a slow yet utterly gripping pace. the energy levels rise like the tide of the ocean, engulfing you before you know it. io’s dexterity and cunning ability to keep the listener engaged manifests itself here, bomb! on the flip side, malin genie steps in to give ‘to the unknown’ a new lick of paint and what we get is a jazzy, minimal rework with a jaunty skip in its step and a wicked bassline.

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

the 19th release of rue de plaisance is made by our french friends from berlin, arcarsenal. the duo, etienne and alan, have released on high calibre labels such as underground quality and finest hour and also run the excellent record shop in berlin. we were seduced by their unique and personal music and we are proud to release such a great ep which showcases their different sounds from ambient to techno. timeless music for your pleasure.

in all there are seven previously released tracks as well as five brand new, never before heard cuts, and they all make for absorbing listening both in the club, on headphones or from the sofa.

new label from holland run by developer of modularz. the new label is focusing on powerful techno tracks in raw form.

after the success of his debut album back in flight school on hot creations, miguel campbell has spent the last three years living in ibiza, dividing his time between touring and the studio. since returning to his hometown of leeds last year, his production output has been prolific, with a slew of original tracks and remixes coming through his own outcross records imprint, the same label that will release forthcoming second artist album

copenhagens music for dreams continues its run of great releases with a tasteful 12 inch from label boss kenneth bager who presents four on-the-money remixes of his single *sunshine stereo* taken from forthcoming album *follow the beat*. currently enjoying heavy rotation on p3 (denmarks answer to radio one), this summery anthem gets makeovers from denmarks jazzbox, greek duo bonnie & klein and from mr bager himself who teams up with napoli-born producer extraordinaire tuccinelli to give us not only a superb extended vocal mix but also an on-fire dub version of the track that is sure to be a future classic both for the balearic brigade and all lovers of funky downtempo dubbed-out weirdness. treading the same territory as the fabulous frankie knuckles hallucinogenic mix of *aint nobody*, this dub is full of tricks, teasing and pleasing the dancefloor and already getting strong support of manchesters moonboots, amnesia legend leo mas and danish dj peter visti. elsewhere jazzbox deliver a great uptempo beach boogie version full of soul and groove making great use of the unmistakeable voice of damon scott, known for his work with storm queen, while bonnie & klein produce a very special percussive jazzy dub mix. the pair are on a roll at the moment and this remix with its warm marimba vibes creates that mediterranean vibe we all love. a real sun-soaked winter warmer, this 12 feels like a knitted sweater in the cold! limited vinyl.